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A Conversation with Photographer Tanya Chalkin
November, 2005
Editor’s Note: Her edgy and stylish images evoke
stirring themes of youth, eroticism, and the alluring power of
nascent sexuality. Her best-known portrait of intimacy, “Kiss”
(2001) has sold thousands of copies in the United States and
Europe in poster form. Her famous 2006 calendar has been met
with wild enthusiasm across Europe.
Now, British-born photographer Tanya Chalkin is
taking her works to a bold new level of visibility. Atlanta,
Georgia-based Reality Bedding is featuring a selection of her
most prominent and alluring images as part of a unique and
innovative collection of premium comforters for the bedroom.
True to her calling as a professional artist,
Tanya Chalkin prefers to allow the silent eloquence of her
images to speak for her. It’s the rare occasion when she grants
an interview. For that reason, we were privileged and fortunate
when Chalkin graciously spoke with us by phone from her studio
in London, England.
During our wide-ranging conversation, Tanya
spoke candidly about her works, her inspirations and
aspirations, and the bold new attitudes that have re-defined
sex, intimacy, and self-acceptance among members of the new
youth generation.
Q) Tanya, let’s go back to the beginning. Tell
us how it all started.
Tanya:
I think a deeply ingrained love and
appreciation for Photography, Art and Design is embedded in my
character. For me photography it not just a profession or a
pastime; it’s really more like a passion. While I was growing
up, my parents gave me my first camera. Rather than randomly
point-and-click, I recall always taking that extra moment to
frame the shot. It’s as though my eye had its own innate sense
of composition. The creative bug has been a part of me ever
since.
Q) So it was no surprise to your family when you
turned this talent into a career, then?
Tanya:
I think they were expecting it. I
studied first at the Chelsea College of Art and Design in the
U.K., and went on to earn my B.A (Honors) at the world-renowned
London College of Printing. I’ve been working professionally now
for the past seven years.
Q) Reality Bedding is proudly featuring your
images, “Kiss” and “Sleeping Beauties” on their inaugural line
of comforters in the U.S. Don’t these images push the envelope
too much for some tastes?
Tanya:
If the viewer thinks too seriously
about the subject matter, then it might. Though I prefer for the
viewer to think of my images as light and fun. I tend to shoot
sexy imagery because I enjoy portraying emotions of love and
lust, which draws the viewer in. There is so much erotic
photography out there trying to be sexy, in my view it can
often miss the point. For this reason I like to keep my shots
sexy but with a certain subtlety and tenderness. I think its
easier being a female and creating this kind of subject matter
as there is already an inherent understanding between the female
models and myself.
Q) It’s not as easy as it looks?
Tanya:
It takes hours to select the models,
get them comfortable with each other, and get the framing and
lighting just right. I shoot many of my images in black and
white as it contributes to a classic, timeless look, and the
tonal qualities of black and white photography suit my images.
Q) There’s a direct relationship between time
spent planning the shot, and the quality of the final product?
Tanya:
That’s the key idea here: Quality. I
am a perfectionist and it is important to me that the end
results are striking. The pre and post production of any of my
shoots takes up a lot of time. It makes a big difference in the
quality of the final product and is definitely worth it.
Both
“Kiss” and
“Sleeping Beauties”
evolved as imagery from two
separate photo shoots, People want images that are erotic, fun,
and that stand apart from what is out there. I receive so many
requests to my website from fans around the world requesting
more of my work, which is fantastic! I really appreciate all of
the comments and it makes me feel elated that I can bring
pleasure to someone.
Q) If the quality of the final product reflects
the quality of the process that creates it, then that must
speak well of the camera you use.
Tanya:
My preferred camera is a Mamiya with
a 6x7 negative. It’s a Japanese make, and is well known and
widely used in fashion photography.
Q) “Sleeping Beauties” is a new release, isn’t
it?
Tanya:
I think Sleeping Beauties is a great
image. I hope the public will agree; only time will tell! The
beautiful models sleeping alongside one another feels so vaguely
erotic and sensual, yet so innocent and sweetly charming. I want
the viewer to wonder what the girls are dreaming about! It was
released in October ‘05, so it’s appearance on Reality Bedding
marks its first broad exposure to the North American
marketplace.
Q) Aren’t these erotic images of women meant to
serve as eye candy for men? What about women?
Tanya:
Men will always be drawn into imagery
such as “Kiss” and “Sleeping Beauties”. There’s something about
scantily clad women lying together. Still, you’d be surprised at
how much women enjoy them.
I think we live in an
age where the young, especially young women, feel validated by
openly acknowledging and celebrating their sexuality. They’re
more at ease casting aside their sexual inhibitions, and more
freely expressing themselves in ways that their mothers and
grandmothers never did. Look no further than “Sex and the City”
for evidence of that notion. Life imitates art, which in turn
imitates life. That’s what good art is, after all – a reflection
of the curious alchemy of our own underlying values, attitudes,
wants, and desires.
Q) Your words sound like poetry. What about
images of male models?
Tanya:
I have two photographic posters of
men on the market right now. One is entitled
“L’Homme”,
which features a rugged, masculine
model in an outdoorsy pose. My more controversial poster is
“Boy”
which features a well-defined,
frontal, youthful male trunk and torso in somewhat revealing
white briefs, taken from a low angle. It’s perhaps a bit too
homoerotic for the mass market, and may appeal more to gay men
than to women.
Male sexuality is by its nature more rough and
raw, whereas female sexuality is naturally more sweet, discreet,
and discerning. As a photographer in these genres, I try to
smooth out their rough edges in order to bring out their mass
market appeal.
Q) So after the success of “Kiss” and “Sleeping
Beauties”, what else can we look forward to? You must have some
eye-catching new images in the pipeline.
Tanya:
As well as continually working for
fashion magazines, I would like to shoot a portfolio of
exclusively male images for my 2007 ‘Male’ calendar, which will
be my first male calendar to be sold in North America. An
all-male portfolio will demonstrate my versatility, and will be
a challenge as well. In the near term, my 2006 calendar is
already on the market here in Europe and has had a brilliant
response from the public. There will also be a 2007 female
calendar to be sold in North America available from around March
2006.
Thanks, Tanya.
For further info on Tanya’s work please contact
agent@tanyachalkin.com
or visit
www.tanyachalkin.com
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